![]() This section is extremely POV, it reads like a rant about satanic messages, also it doesnt site references and several of the alleged satanic messages are rididculous (particularly the pokemon one) One of the reasons why I don't think the Zeppelin accusations are true is that the "voices" are so hard to hear - if they wanted kids to hear messages in their songs, why would they make them so hard to hear? Λυδ α cιτγ 01:04, 17 June 2006 (UTC) Reply That's basically what Zeppelin was accused of. Xdiabolicalx 21:39, 11 June 2006 (UTC) Reply Yes, it does count as backmasking. ![]() Does simply reversing the voice count as back masking though? It seems alot less complicated than what Zepplin and others were accused of. Λυδ α cιτγ 02:26, 11 June 2006 (UTC) Reply Thanks for the links, I can hear it now. The page for Transilvanian Hunger also contains a reference to the message I'm inclined to think it's true. Xdiabolicalx 01:30, 11 June 2006 (UTC) Reply Here's a forum page with sound samples. Even if its true I don't think it is necessary to be included in this artical due to the previously stated anti-christian views of the band. ![]() I'm not going to be reversing my copys of the album just to find out. I would like someone to get a decent source/sound sample or I'm going to delete the reference. Another solo effort, Untold Things, followed in early 2001.I have never heard about Darkthrone using backmasking, it makes me even more skeptical due to the fact that they are so overtly anti-christian they don't need to use backmasked messages and also the fact that they use so little production and are against production as a whole that even the process of backmasking is too technical for them. She also was chosen by legendary filmmaker Stanley Kubrick to score what became his final picture, 1999's Eyes Wide Shut. ![]() In 1994, the Canadian dance company O Vertigo commissioned Pook to score their production Deluge the music was released on album three years later under the title Flood. ![]() Pook continued this balancing act into the next decade, writing for cinema and television productions including Jarman's Edward II, the BBC series Mad About Music and John Smith's short film Blight while concurrently working with pop acts ranging from Peter Gabriel to PJ Harvey to Nick Cave via her Electra Strings project. Contemporary classical composer and violinist Jocelyn Pook followed her studies at the Guildhall School of Music and Drama by touring for three years with the Communards she further broadened her musical horizons with contributions to Derek Jarman's 1986 film masterpiece Caravaggio, and two years later wrote the score to the DV8 Physical Theatre production My Body, Your Body. ![]()
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